BRITDOC’s Luke Moody questions the power of words on screen in recent documentary journalism.
Continue reading “The silent return of the voice of God in documentary”
On the release of Joshua Oppenheimer’s The Act of Killing in UK cinemas, some excitement is emerging about the possibilities of new hybrid forms of documentary.
“All great fiction films tend towards documentary, just as all great documentaries tend toward fiction.”
Continue reading “Act normal: hybrid tendencies in documentary film”