In pictures: the birthplace of Charites

From the old town of Rhodes to the perfectly painted island of Symi

Photojournalist Georgia Korossi captures the spectacular architecture in Greece’s Dodecanese islands, its people and animals.
London & Athens-based Georgia Korossi is editor of 11polaroids, writer, photographer and producer of film.  For this project the photographs were mostly shot on Canon EOS 650D with Canon EF 50mm f/1.8 II lens.
All images ©Georgia Korossi, 11Polaroids

Be bold for change: 11 international women in film

Gallery | To mark International Women’s Day, we celebrate women in film from around the world in March every year. Here are 11 women to honour and admire in 2017.

by Georgia Korossi


Radical simply means grasping things at the root.
– Angela Davies


Chris Marker’s “Petite Planète” guides, each dedicated to a different country, which he initiated and directed from 1954-58 while working at the Paris-based publisher Éditions du Seuil.


Not a guidebook, not a history book, not a propaganda brochure, not a traveller’s impressions, but instead equivalent to the conversation we would like to have with someone intelligent and well versed in the country that interests us.
– Chris Marker

View our galleries from the previous years:
11 international women in film
25 international women in film

Book a ticket for Angela Davies in Conversation at Southbank Centre as part of WOW – Women of the World on 11 March 2017.

The 11 best films of 2016 in pictures

Gallery | We reveal our picks of the best films of 2016 and a new year’s resolution.

Georgia Korossi

From the shocking story of a young boy raised within the confines of four walls in Lenny Abrahamson’s survival drama Room to the rebellious spirit of five sisters from deep Anatolia in Deniz Gamze Ergüven’s powerful first feature Mustang, here are our favourite picks of independent cinema and TV from this year.

Screening for the first time in London at the newly founded festival that merges new forms of documentary and art – Frames of Representation  Zhao Liang’s Behemoth is a haunting documentary about industrialisation in China and its workers. But as 2016 rolled on we were also captured by Susan Kemp’s wonderful documentary on the legacy of the work of Antonia Bird, the first British woman to direct a Hollywood movie. Kemp’s documentary Antonia Bird: From EastEnders to Hollywood for BBC Four is a celebration of her legacy and strength of making her voice heard.

While writing on women directors, the majority of our top films from this year are directed by women with Rokhsareh Ghaem Maghami’s powerful Sonita and Sofia Exarchou’s Park being our highlights while Catherine Corsini’s beautiful romantic drama Summertime is our best lesbian film of the year.

Selecting just eleven films was hard enough and we left out debuting director Hope Dickson Leach. Her film The Levelling, was a welcomed surprise in the festival circuit for its originality but Britain’s deep recession and loss of compassion is gloriously revealed in Ken Loach’s I, Daniel Blake, this year’s Palme D’Or winner at Cannes Film Festival.

Jim Jarmusch’s Paterson is a heartfelt and treasured work. It was a delight of cinema experience, for its sensuous performances and Tilda Swinton strolling in style around the Mediterranean isle somewhere between Sicily and Tunisia, in Luca Guadagnino’s drama A Bigger Splash, a loose remake of the 1969 Jacques Deray film La piscine.

Undeniably if you’re looking for that film representing youth 2016, Sebastian Schipper’s terrific Victoria that plays out in one continuous real time, 138-minute camera shot, is a daring, adrenaline-filled drama that took us through the underbelly of Berlin with stunning performances including the marvellous Laia Costa and Frederick Lau.

New year’s resolution!


Director Barry Jenkins

In 2017 watch out for the release of Barry Jenkin’s remarkable Moonlight, a rare piece of filmmaking focusing on its characters but with deep universal concerns and complex themes about identity, sexuality and family through exceptional performances and dialogue. It’s a rare achievement.

Moonlight (2016)
Moonlight (2016)

The best exhibitions of 2016

Gallery | From London to Copenhagen, Hanover and the town of Lyssarea in Arcadia, here’s a roundup of the year’s best exhibitions and best young festivals.

11Polaroids desk

We’ve brought together two new documentary festivals that merged new forms of documentary and art – one that launched for the very first time this year and the other in its decisive seventh year – alongside our exhibition highlights from three cities and a remote town in Greece: London, Copenhagen, Hanover and Lyssarea.

In 2016 we were caught by Susan Hiller’s investigation into belief and the unconscious. John Akomfrah’s first solo exhibition at Lisson presented three new film installations including The Airport (2016), a weeping landscape of ghosts lingering in our collective consciousness physically and metaphorically. Copenhagen’s Nikolaj Kunsthal also presented Akomfrah’s epic three-channel installation Vertigo Sea (2015), a magnificent recording describing man’s relationship with the sea, which premiered at the 56th Venice Biennial in 2015, All the World’s Futures.

The Barbican’s Strange and Familiar: Britain as Revealed by International Photographers was curated by photographer Martin Parr and looked into how Britain’s changing landscape and tremendous social history was documented by leading photographers from the 1930s onwards. Frames of Representation, a new festival showcasing daring films, emerged this year from London’s most brave minds and housed at the ICA. Look out for its 2017 version!

Over three nights, the work of Gregory Markopoulos gathered together individuals from all corners of the world for his ENIAIOS IX – XI in Lyssarea – a rare event that takes place every four years for the duration of his ENIAIOS cycle. Cate Blanchett declared rage against persona in 13 rare roles as seen in Julian Rosefeldt’s Manifesto, an installation of 13 parallel films at Sprengel Museum in Hanover and we were magnified by Georgia O’Keefe’s flowers and Mexican landscapes at Tate Modern.

The team behind this year’s Ethnographic Film Festival in Athens did a brilliant job in bringing together more than fifty screenings to an expanding audience, the festival’s largest so far, housed by the newly opened cinema Astor in the heart of Athens.

We immersed ourselves in the work of prolific New York street photographer Saul Leiter while we were taken in an acoustic journey of sound and film at Wellcome Collection’s THIS IS A VOICE exhibition and were morphed from fiction to fantasy to documentary with the unraveling work of Apichatpong Weerasethakul in the Tanks at Tate Modern.

“…and to see takes time, like to have a friend takes time.” – Georgia O’Keefe

In pictures: 10 days in Cuba

From the streets of Havana and Trinidad: a hotly photographic journey in the heart of Cuba as seen through the lens of Georgia Korossi.

Georgia Korossi is editor of 11polaroids, writer, photographer and producer of film based in London and Athens. For this project the photographs were shot by Canon EOS 650D with Canon EF 50mm f/1.8 II lens.


Ingrid Bergman: iconic images

Gallery | Swedish-born actress Ingrid Bergman was born 100 years ago on 29 August 1915. We mark her centenary with some of her iconic images, as selected by 11Polaroids desk.

11Polaroids desk Continue reading “Ingrid Bergman: iconic images”

The best films of 2014 in pictures

Gallery | Indie, blood-sipping and oddly endearing, with focus on diverse preoccupations, art and great cinematography are the best films of the year, as selected by 11Polaroids desk.

11Polaroids desk Continue reading “The best films of 2014 in pictures”